Lot 2052 WILLIAM WARD (1766-1826) AFTER RAMSAY RICHARD REINAGLE (1775-1862) THE SUPERB LILY, FROM DR. THORNTON'S `THE TEMPLE OF FLORA` Engraving with mezzotint, aquatint and hand colouring, published c.1799 Image 43.5 x 35cm. ++ Some wear along platemark; image good; a little grubby overall
Lot 2053 AFTER JEAN ANTOINE WATTEAU (1684-1721) LES CHAMPS ELISEES; LE BOSQUET DE BACCHUS Two, engravings by N. Tardieu and N. Cochin, published by F. Chereau, Paris Each 30 x 40cm approx. (2) ++ The latter laid down; each with foxing and old damp staining
Lot 2054 AFTER GEORGE STUBBS, ARA (1724-1806) TWO HACKS; TWO HUNTERS (Lennox Boyd, 94 & 95) Two, stipple engravings with roulette work, by G. T. Stubbs and published by the same, 1792, the former from the first state, the latter second state Images 33.5 x 47.5cm and 34 x 47.5cm. (2) ++ Each with some foxing; wide margins
Lot 2055 PELLERIN & CIE (Designers, French, 19th Century) `PANTINS`: PAPER CUT-OUT PUPPET DESIGNS Three, woodcuts, with hand colouring, entitled `Pantins`, `Pantins - Jocrisse et le Pere Cassande` and `Colombine` and `Arlequin`, printed/published by Epinal; six `Petites Constructions` for `Aeroplane Monoplan` and `Aeroplane Biplan du type Wright` in a similar style; and a hand-coloured lithograph of a German ...
Lot 2056 A FOLIO OF `OLD MASTER` PRINTS and other subjects, to include a woodcut of `Hans Sachs aged 51` after Lucas Cranach, c.1545, examples by or after P. Boel (ostriches), A. van der Werff (portraits), some leaves of German/Gothic letterpress with integral woodcuts, a group of nine prints of elephants (after Stradanus and others) and other subjects, various sizes, all unframed (a lot) ++ Mixed; satisfactory ...
Lot 2057 •WILLIAM LEE-HANKEY, RWS (1869-1952) MUSSEL GATHERERS Etching with drypoint, with artist's blindstamp and pencil signature 45.5 x 55cm.; with another etching of a busy Indian street by Ernest Stephen Lumdsen, signed, 19.5 x 25cm. (2) ++ Each with a little time-staining; Lee-Hankey with a few spots of foxing
Lot 2058 ITALIAN (?) SCHOOL, 20th CENTURY VIEWS OF VENICE IN 18th CENTURY STYLE Three, each signed indistinctly, pen and sepia ink 19 x 26.5cm.; 20 x 28cm.; and 27 x 17cm. (3) ++ Some foxing; some mat staining
Lot 2059 SIR RICHARD WESTMACOTT, RA (1775-1856) FIGURES AND A HORSE, KIERY CRAGS, NEAR BLAIR ADAM, KINROSS Watercolour and pencil 43.5 x 27cm. Provenance: By descent through the Muirhead and Vaughan families ++ Faded; a few small grazes upper left; rosewood frame with gilt slip
Lot 2062 A LARGE FOLIO OF WATERCOLOURS comprising approx. 57 watercolours and drawings, principally landscapes and topography etc, also some portraits, figure subjects, a poultry subject and others, some bearing signatures for Henry Bright, George Chambers, John Sell Cotman (see illus.), Miles Edmund Cotman, David Cox, Edward Dayes, Robert Dixon, James Duffield Harding, (John Berney?) Ladbroke [sic], George ...
Lot 2064 SAMUEL HIERONYMUS GRIMM (1733-1794) MEN FIGHTING OUTSIDE A COTTAGE Signed and dated 1770, further indistinctly inscribed, watercolour 11.5 x 17cm. ++ Laid onto support sheet; pale water stain in sky; needs a light clean
Lot 2065 JAMES HOLLAND, RWS (1799-1870) THE OSPEDALE CIVILE, VENICE Signed with initials and dated 24th. Octr.57., watercolour and pencil 18 x 24cm.; with a watercolour of `Mill near Totnes` by Frederick W. Watts, c.1850, 16.5 x 25cm. (2) Provenance: (Holland) London, The Leger Galleries Ltd, February 1962, no.46, from the Collection of Sir Henry Houldsworth, Bt.(as `Study for a Building`), purchased March ...
Lot 2066 CIRCLE OF THOMAS ALLOM (1804-1872) VESSELS BY A WATERFRONT, CHINA Watercolour and pencil 18 x 27cm.; with a watercolour of a crew crossing the line (Equator), attributed to Isaac Cruikshank, 13.5 x 21cm.; and an ink and grey wash sketch of buildings on a lane, early 19th Century, 11.5 x 14cm. (3) ++ Chinese subject and `Cruikshank` faded
Lot 2067 GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF CHARLES JOHN SHORE, LATER 2nd LORD TEIGNMOUTH Seated half length, wearing a dark coat, watercolour and pencil sketch 37 x 27.5cm.; with a watercolour portrait of Jane Euphemia Saxby (nee Browne) by C. Forster, c.1840, 26.5 x 21.5cm.; and a pastel portrait of a cleric, c.1760, 53.5 x 43.5cm. (3) Provenance: By descent on the family of Lord Teignmouth. See ...
Lot 2069 SAMUEL OWEN (1769-1857) MARINE SUBJECTS: CHOPPY COASTAL WATERS; A CALM ESTUARY A near pair, both signed partially or indistinctly, watercolour over traces of pencil Each 13.5 x 22cm approx (2) ++ Each a little pale
Lot 2070 WILLIAM CARPENTER (1818-1899) CAMELS: DOCTORING A CAMEL'S FOOT; [DROMEDARY]; A FINE COMMISSARIAT CAMEL; BRANDING A CAMEL - FANNING A FLAME WITH A CLOTH A BOY STANDING ON ONE END Four, leaves from a sketchbook, three inscribed with title, watercolour and pencil 17 x 12.5cm. or 10.5 x 16.5cm. Provenance: London, Thomas Agnew & Sons Ltd, from an album in the possession of Mrs M. Alexander. Carpenter ...
Lot 2071 WILLIAM FRASER GARDEN (1856-1921) ON THE OUSE NEAR ST. IVES Two, only one signed and dated 93, watercolour Each 26.5 x 49.5cm. (2) ++ One needs a clean, slightly faded; the other with vertical tear from top to bottom 15cm from left edge, this one faded to predominant blue tones
Lot 2072 JOHN SHAPLAND (1865-1929) TAVY CLEAVE Signed, watercolour heightened with bodycolour 50.5 x 76cm. Provenance: London, Theodore Galleries (label on backboard) ++ Small retouched damage in sky on right; period gilt mount and frame; good colour
Lot 2073 THOMAS SHOTTER BOYS (1803-1874) BRUSSELS: DISTANT VIEW OF NOTRE DAME DE LA CHAPELLE Inscribed verso hors la porte du Hal, watercolour and bodycolour with scratching out 17 x 24.75cm. Provenance: The Estate of the late Anthony Molins, Sothebys London, November 24th 1977; London, Thomas Agnew and Sons; London, John Manning (whose label states that the drawing was purchased at the artist's sale) ++ Good ...
Lot 2075 HERCULES BRABAZON BRABAZON (1821-1906) SANTA MARIA DELLA SALUTE Signed with initials, watercolour and pencil 16 x 22.5cm. Provenance: London, The Leger Galleries Ltd, February 1962, no.15, purchased March 13th 1962, £39 18s ++ A little faded and light-stained
Lot 2076 GEORGE PRICE BOYCE (1826-1897) EVENING LANDSCAPE WITH BOAT AND FIGURE Watercolour 13.5 x 23.5cm.; with `The Diaries of George Price Boyce` ed. Virginia Surtees (Norwich 1941/1980); and the exhibition catalogue for `George Price Boyce`, The Tate Gallery, by C. Newall and J. Egerton (London 1987) (3) Provenance: (watercolour) London, J. S. Maas & Co Ltd (label verso, no date) ++ Dark palette but good ...
Lot 2078 A FOLIO OF ASSORTED WORKS ON PAPER comprising portrait sketches, figure studies, still lifes, topographical subjects (Marseilles Quay) etc, principally mid-late 19th Century, various media, various sizes (11) ++ Generally fair to good condition
Lot 2081 HERCULES BRABAZON BRABAZON (1821-1906) `INTERPRETATION OF J. M. W. TURNER RA`: LAKE LANDSCAPE WITH BOATS IN MIST Bears initials, watercolour 19.5 x 26cm. Provenance: London, Thos. Agnew & Sons Ltd; The Fine Art Society Ltd, February 1962, £42 ++ A little faded
Lot 2083 CONSTANCE L. FOUNTAINE (Fl.c.1889-1893) STILL LIFE WITH FRUIT, COCONUT AND A TANKARD; INTERIOR WITH OAK CHAIR AND A COPPER EWER Two, both signed and dated 1889, the former also dated April 6, each with ESK stamp, the latter with PRIZE WORK stamp, watercolour Each 33 x 52.5cm. and 52.5 x 35cm. (2) ++ Colour good; some foxing
Lot 2086 CHARLES NAPIER HEMY, RA (1841-1917) THE LITTLE TRAWLER Signed with initials and dated 1917; also signed, inscribed with title and further inscribed Falmouth/ 1917 and R.A. No6 1917, watercolour and bodycolour over pencil 45.5 x 66cm. Exhibited: London, The Royal Academy, 1917, no.829 ++ Good condition
Lot 2087 WILLIAM LIONEL WYLLIE, RA (1851-1931) SAILING VESSELS IN AN ESTUARY Signed and dated 190, bears inscription on frame reading `[T]owards the Hills of ..`(the following word is indistinct but may say `Skibbereen` which is in West Cork), watercolour heightened with white 16 x 32.5cm. ++ Good condition overall; slightly faded in the water
Lot 2088 CHARLES EDWARD WILSON (1853-c.1941) A CORNER IN NEWLYN, CORNWALL Signed, inscribed with title in pencil on tab affixed to new backboard, watercolour 36.5 x 26.5cm. ++ Colouring a little soft; needs a light clean
Lot 2090 LOUISE RAYNER (1832-1924) BUTCHER ROW, SHREWSBURY Signed clearly but with traces of a second signature, watercolour and gouache 44. x 25.5cm. ++ Good colour; needs a light clean to remove pale marks in the sky
Lot 2095 FRANCOIS EDOUARD ZIER (1856-1924) STUDY OF A LADY, VIEWED FROM THE BACK Two similar, each possibly initialled, one dated aout 71, th other dated Dm 72, pencil 22.5 x 13.5cm. and 28.5 x 15.5cm. (2) ++ Each in good condition
Lot 2096 A FOLIO OF WORKS ON PAPER comprising approx. 27 drawings and watercolours etc in various media, to include a view of the Forum Romanum, Rome, 1834, indistinctly signed; a watercolour of the corvette Echo off Tunis; a study after J. L. David, also landscapes, portraits, figure subjects etc, mainly 19th Century; various sizes, all unframed (a lot) ++ Mixed condition; mainly satisfactory
Lot 2097 •HENRY MAYO BATEMAN (1887-1970) CLOWN CORRECTION Signed, black ink with pen and brush over pencil, unframed Image 28 x 21.5cm.; sheet 32 x 25cm. ++ A little foxing and slight surface marks; slight time-staining
Lot 2099 •HENRY MAYO BATEMAN (1887-1970) STUDY OF A CLOWN: `£100 A WEEK` Signed with initials and dated 08, bears title, black ink with brush and blue crayon, unframed Image 19.5 x 11cm.; sheet 25 x 18cm. ++ Vertical crease 3cm from right edge;some handling marks, slight time-staining and spotting etc
Lot 2100 •HENRY MAYO BATEMAN (1887-1970) THE FUNNY BONE Pen and black ink over traces of pencil, unframed Image (to pencil framing lines) 20.5 x 20.5cm.; sheet 28 x 27cm. ++ Slight soft creases at sheet edges; very slight handling marks; very slight time-staining
Lot 2101 •HENRY MAYO BATEMAN (1887-1970) THE TAXPAYER: ISN'T IT WONDERFUL! Signed with initials, bears title, black ink with brush over pencil, unframed Image 23 x 16.5cm.; sheet 31.5 x 23cm. ++ Rust mark from paperclip; some time-staining and slight handling marks